a courageous, truth-telling creatress
an unapologetically Black queer femme feminist woman
the daughter of a single mother and the eldest of three sisters
committed to the wellness, creativity and bodily autonomy of women and girls of color”
An 80’s baby born in New York and raised in the South, Taja Lindley currently lives in Brooklyn, New York working as the Managing Member of Colored Girls Hustle. In 2007 she received her B.A. from New York University’s Gallatin School of Individualized Study where she designed her own major, concentrating in public policy and knowledge production with a focus on health and women of color.
Lindley is a memory worker, healer and an activist. Through iterative and interdisciplinary practices, she creates socially engaged artwork that reflects and transforms audiences, shifts culture and moves people to action. She uses movement, text, installation, ritual, burlesque, and multi-media to create immersive works that are concerned with freedom, healing and pleasure. She is currently developing a body of work recycling and repurposing discarded materials.
Her artwork has been featured at Spring/Break Art Show, Brooklyn Museum, Hammer Museum, Philbrook Museum, New York Live Arts, the American Repertory Theater at Harvard University, Brooklyn Arts Exchange (BAX), the Gallatin Arts Festival at New York University, WOW Café Theater, La Mama Theater, in living rooms, classrooms, conferences and public spaces. She has received coverage in the New York Times, VICE, ELLE, Blouin Art Info, Art Zealous and Artnet News, and ARTSY. In 2014 she was a Create Change Fellow with the Laundromat Project and selected to participate in EMERGENYC - an artist activist program of New York University’s Hemispheric Institute of Performance and Politics. In 2015 she was a Fall space grantee at BAX. Her 2017 residency at Dixon Place Theater culminated in the world premiere of her one-woman show "The Bag Lady Manifesta" in September 2017. This work is currently on a nationwide tour in the United States.
In addition to being an artist, Lindley is actively engaged in social movements as a writer, consultant, and facilitator. For over a decade she has worked with non-profits, research institutes and government on policies and programming that impact women and girls, communities of color, low/no/fixed-income families, queer people, youth and immigrants. Most recently, she served as a Sexual and Reproductive Justice Consultant at the NYC Department of Health and Mental Hygiene, facilitating a community driven process that created The NYC Standards for Respectful Care at Birth. She continues her work at the NYC Health Department as the current Public Artist in Residence, a program of the NYC Department of Cultural Affairs.
Her writing has appeared in Rewire, YES! Magazine, Feministe, Salon and EBONY. She is a member of Harriet's Apothecary and Echoing Ida.
To learn more about Lindley’s journey as an artist, healer and activist, watch her interview below with the Hemispheric Institute for Performance and Politics at NYU.